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Selasa, 18 Desember 2012

Big Eyes Youtube Film Entier

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Directed and produced by Tim Burton, BIG EYES is based on the true story of Walter Keane (Christoph Waltz), who was one of the most successful painters of the 1950s and early 1960s. The artist earned staggering notoriety by revolutionizing the commercialization and accessibility of popular art with his enigmatic paintings of waifs with big eyes. The truth would eventually be discovered though: Keane‘s art was actually not created by him at all, but by his wife, Margaret (Amy Adams). The Keanes, it seemed, had been living a lie that had grown to gigantic proportions. BIG EYES centers on Margaret‘s awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work. (C) Weinstein.

About Big Eyes

Artist : Amy Adams, Christoph Waltz, Terence Stamp, Danny Huston, Jason Schwartzman
As : Margaret Keane, Walter Keane, John Canaday, Dick Nolan,
Title : Big Eyes Youtube Film Entier
Release date : 2014-12-25
Movie Code : 1126590
Duration : 106
Category : Drama

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Name : Chris Nashawaty / Alias : Entertainment Weekly
Despite its sharp feminist sting, Big Eyes never loses its light touch. Maybe the lesson here is that Burton should venture out of his dark, creepy comfort zone more often.

Name : Steven Rea / Alias : Philadelphia Inquirer
A wondrously strange true story about art and heartbreak, intellectual property theft, and the subjugation of women.

Name : Ty Burr / Alias : Boston Globe
Waltz ham-and-eggs Adams off the screen. In the process, the movie strands her character without an inner life, a psychology, or anything that would indicate what makes her tick.

Name : David Edelstein / Alias : New York Magazine/Vulture
Adams is lovely and tremulous, but Big Eyes would be even better if Waltz was in the same key.

Name : Bill Goodykoontz / Alias : Arizona Republic
The story is just so downright weird that the film can't help but be compelling. Just not as compelling as it could have been.

Name : Dave Calhoun / Alias : Time Out
Burton lets Waltz run wild, sucking the air out of every scene with his hysterics, and the always-endearing Adams is left looking like a rabbit in the headlights.

Name : Wesley Morris / Alias : Grantland
Burton might need to get further from blockbuster bloat in order to regain his formal mastery of kitsch. Right now his sense of comic portraiture is too easily mistakable for splatter painting.

Name : Betsy Sharkey / Alias : Los Angeles Times
This portrait of a woman on the verge - of success, of suppression, of submission, of rebellion - is never fully realized.

Name : Richard Corliss / Alias : TIME Magazine
The Keane story is a rich parable that deserves either a wilder or a more acute telling than Burton provides here.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Throughout his career, Burton has always been capable of surprising audiences. "Big Eyes" is no exception.

Name : Peter Rainer / Alias : Christian Science Monitor
Adams is very good at the difficult art of making passive characters interesting - a gift that stands her in good stead here.

Name : Michael Phillips / Alias : Chicago Tribune
Instead of comic and dramatic provocation, "Big Eyes" settles for a pastel set of emotions lost in a primary color world.

Name : Amy Nicholson / Alias : L.A. Weekly
You can't help but sense Tim Burton nodding in agreement when Walter bellows, "Just because people like my work, does that make it bad?"

Name : Justin Chang / Alias : Variety
"Big Eyes" doesn't seem to trust either the factual truth or the emotional logic of the dilemma it's showing us.

Name : James Adams / Alias : Globe and Mail
Burton lets his film putter along in middle gear, provoking neither riotous laughter nor emotional immersion.

Name : Ann Hornaday / Alias : Washington Post
"Big Eyes" is technically and aesthetically attractive.

Name : Elizabeth Weitzman / Alias : New York Daily News
"Big Eyes" is still a compelling film, well presented and solidly performed by leads Amy Adams and Christoph Waltz. But more weirdness would have done wonders.

Name : Joe Morgenstern / Alias : Wall Street Journal
I watched wide-eyed with dismay while the film turned as lifeless as the paintings.

Name : Todd McCarthy / Alias : Hollywood Reporter
This nimble, bemused, culturally curious look at the married instigators of the kitschy "big eyes" paintings of the early 1960s exudes an enjoyably eccentric appeal while also painting a troubling picture of male dominance and female submissiveness .

Name : James Berardinelli / Alias : ReelViews
A straightforward and mature film with little in the way of overt weirdness.

Name : Bruce Demara / Alias : Toronto Star
It dwells in that amorphously ill-defined zone, Dramedyland, a place from whence audiences too often return with a shrug and a vague sense of confusion and disappointment.

Name : Inkoo Kang / Alias : TheWrap
"The most human film from Burton since "Ed Wood," this biopic of kitsch painter Margaret Keane (Amy Adams) marks a small but significant artistic growth."

Name : Mick LaSalle / Alias : San Francisco Chronicle
Tim Burton fashions the perfect frame around these actors and then lets them fill out this marvelous creation.

Name : Rex Reed / Alias : New York Observer
Nimble, off the beaten track and very entertaining, it's the cinematic equivalent of a lava lamp.

Name : Stephen Whitty / Alias : Newark Star-Ledger
What matters is, does the artist speak through this work? And does this work speak to you? And "Big Eyes" does. I just wish it spoke louder.

Name : A.A. Dowd / Alias : AV Club
Big Eyes has plenty of surface pleasures, but there was reason to expect more than that from it.

Name : Rafer Guzman / Alias : Newsday
A smart, funny, feel-good film - from Tim Burton? It's his best since "Ed Wood."

Name : Kyle Smith / Alias : New York Post
"Big Eyes" toys with some amusing ideas, and that's enough.

Name : Claudia Puig / Alias : USA Today
Fascinating, nimbly acted and, an er, eye-opening look at the culture of male dominance of a couple generations past.

Name : Ben Sachs / Alias : Chicago Reader
Amy Adams and Christoph Waltz are charismatic in the lead roles; occasionally they distract from the movie's overall smugness.

Name : Peter Travers / Alias : Rolling Stone
For all its tonal shifts and erratic pacing, the film is Burton's heartfelt tribute to the yearning that drives even the most marginalized artist to self expression no matter what the hell anyone thinks.

Name : A.O. Scott / Alias : New York Times
In "Big Eyes," the sincerity of the artist trumps the judgment of the critics, and her vision triumphs over fraudulent promotion. It makes a passionate case for her. Whether it vindicates her art is another question entirely.

Name : Moira MacDonald / Alias : Seattle Times
Visually inventive, as are all of Burton's movies, "Big Eyes" is pleasant enough to watch; you just wish there were more to it.

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Kamis, 05 September 2013

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Movie The Nice Guys Full Movie 2016

PutLocker 13.45 Comment

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Shane Black (Iron Man 3) directs this police drama set in Los Angeles during the 1970s, and centering on a pair of detectives who stumble into a sprawling conspiracy while investigating the alleged suicide of a once-prominent female porn star. Russell Crowe and Ryan Gosling top-line this Warner Bros. release that reunites Lethal Weapon scribe Black with that film's producer, Joel Silver. ~ Jason Buchanan, Rovi

About The Nice Guys

Artist : Russell Crowe, Ryan Gosling, Keith David, Matt Bomer, Kim Basinger
As : Jackson Healy, Holland March, , ,
Title : Movie The Nice Guys Full Movie 2016
Release date : 2016-05-20
Movie Code : 3799694
Duration : 98
Category : Crime, Mystery, Thriller

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Name : Owen Gleiberman / Alias : Variety
The sort of cheerfully hostile buddy bash that's been a staple since the '80s, only this one is singularly clever about its own triviality, and it offers the scruffy pleasure of seeing two great actors dial down their gravitas with style.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Measured against this year's other police farce - remember Cop Out? - it looks absolutely heroic.

Name : James Berardinelli / Alias : ReelViews
For the most part, the jokes have punch lines, which is too rarely the case in big-budget comedies.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
A glossy, cliche-laden revenge thriller about the perils of meeting Mr. Too Good To Be True.

Name : Roger Moore / Alias : Orlando Sentinel
The Other Guys is a Ponzi scheme of a comedy, a buddy action picture cluttered with funny characters and hilarious moments.

Name : Lisa Kennedy / Alias : Denver Post
At times, there's an "everything but the kitchen sink" quality to the joke grab. But it works.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Perfect Guy escalates quite nicely, leading to a satisfyingly white-knuckled finale.

Name : Chris Vognar / Alias : Dallas Morning News
They may not be Jack Lemmon and Billy Wilder , but Will Ferrell and Adam McKay have a pretty good thing going.

Name : Amy Nicholson / Alias : MTV
Crowe and Gosling are a perfect mismatch. They skulk around Los Angeles like a bear and a weasel who just escaped from the circus.

Name : Neil Genzlinger / Alias : New York Times
Next to child-in-jeopardy thrillers, women-in-jeopardy thrillers are about as easy to construct as films get, and this one makes no effort to break any molds. Too bad.

Name : Todd McCarthy / Alias : Hollywood Reporter
That the film mostly falls flat has far more to do with the largely unconvincing material rather than with the co-stars, who are more than game .

Name : Brian Truitt / Alias : USA Today
The movie is a throwback in many ways but also proves a dynamic duo can still be just as effective in modern cinema as a superhero ensemble cast. For The Nice Guys, it takes two to make it outta sight.

Name : Alonso Duralde / Alias : TheWrap
Gosling and Crowe's breezy give-and-take goes a long way in elevating "The Nice Guys" above the moments where cynicism overwhelms the comedy.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
Just when it seemed like the once-robust buddy-cop action-comedy was going to require a do-not-resuscitate order, along comes Will Ferrell and Adam McKay to show 'em how it's done.

Name : Eddie Goldberger / Alias : New York Daily News
It's a lazy, by-the-numbers bore. It almost jumps through hoops to not be different in any way. In fact, you could sleep through the movie and still recite what happened.

Name : Alan Scherstuhl / Alias : Village Voice
The Nice Guys, ultimately, might be a little too nice, but Black and his cast really want you to have a ball.

Name : Christy Lemire / Alias : RogerEbert.com
Decent trash that could have been delicious trash with a little more daring.

Name : Richard Corliss / Alias : TIME Magazine
Like some silly summer song that can't be shaken from the mind, this is a catchy enterprise, no better than it tries to be and no less funny.

Name : James Rocchi / Alias : MSN Movies
Highbrow, lowbrow and no-brow, inspired by improvisation yet connected to the structure of a plot and the traditions of a genre, "The Other Guys" is that rare modern comedy as smart as it is crazy, and as skillful as it is silly.

Name : Tomris Laffly / Alias : Time Out
The Nice Guys is the perfect, incredibly crafted yet laid-back procedural we've been starved for.

Name : James Rocchi / Alias : TheWrap
"The Perfect Guy" - which was, it must be pointed out, deliberately not screened for critics prior to release - is a perfect example of how lame, lazy material strands good actors, resulting in a movie that looks great and feels less so.

Name : Connie Ogle / Alias : Miami Herald
The Other Guys is the sort of movie that generates some of its best jokes quietly in the background or as quick-hit throwaway lines, while other terrific gags are defiantly over the top.

Name : Josh Levin / Alias : Slate
There's just a bit too much formula and not quite enough insane-asylum lunacy.

Name : Scott Tobias / Alias : AV Club
Gloms together enough clever riffs and random funny business to overcome the inevitable lumpiness and dead ends.

Name : Ben Sachs / Alias : Chicago Reader
A reasonably engaging thriller with some topical overtones.

Name : Frank Scheck / Alias : Hollywood Reporter
You've seen it a thousand times before.

Name : Michael O'Sullivan / Alias : Washington Post
The Other Guys takes stuff that, as a rule, isn't particularly funny, and tries to make you laugh. More often than not, it succeeds.

Name : Kyle Smith / Alias : New York Post
Forgets it's a comedy and starts burrowing into a convoluted but uninteresting financial scandal involving an evil capitalist played by Steve Coogan.

Name : Richard Roeper / Alias : Richard Roeper.com
Note to Kevin Smith: THIS is how you do a spoof of the buddy-cop genre.

Name : Wesley Morris / Alias : Boston Globe
What seems like another desperate adventure in stunt casting turns out to be a combustible comic bounty.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Nobody goes to these Fatal Attraction retreads anymore for serious drama. But this one is a movie torn - too grim and self-important to go truly nuts, but too silly and slipshod to work on a more somber level.

Name : Amy Biancolli / Alias : Houston Chronicle
Through it all, Ferrell is as Ferrell does. He's a non sequitur with frizz.

Name : Peter Travers / Alias : Rolling Stone
Russell Crowe and Ryan Gosling are clearly enjoying the hell out of each other in this crime caper set in 1977 Los Angeles. So how can you resist?

Name : Jesse Hassenger / Alias : AV Club
Scene after scene exists only to deliver facts for later: Carter's family background; the location of Leah's spare housekey; the presence of a mildly nosy neighbor and a clumsily introduced pet cat.

Name : Joe Dziemianowicz / Alias : New York Daily News
It's overlong by about 15 minutes and goes in too many directions at once. But thanks to a groovy period vibe and the A-list stars, you're along for the ride.

Name : David Fear / Alias : Time Out
Gives Wahlberg and Ferrell beautiful opportunities to turn their anger-mismanagement-meets-milquetoast act into an absurdist version of Abbott and Costello.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Basically, it's Inherent Vice without the highbrow aspirations, or The Big Lebowski with two Dudes.

Name : Christy Lemire / Alias : Associated Press
You should really meet and get to know these guys for yourself.

Name : Joshua Katzman / Alias : Chicago Reader
This is the fourth feature that Will Ferrell and writer-director Adam McKay have collaborated on, and once again they deliver laugh-out-loud if ultimately disposable comedy with mixed messages about arrested male development.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Other Guys boasts perhaps three legitimately funny sequences in all its belabored 107 minutes.

Name : Tom Horgen / Alias : Minneapolis Star Tribune
Do we really need another buddy-cop comedy? While stupefying, the answer is, surprisingly, "yes."

Name : Andrew O'Hehir / Alias : Salon.com
This is a startling late-summer surprise that's hysterically funny when it's not falling on its face.

Name : Randy Cordova / Alias : Arizona Republic
It's sneaky and smartly funny, offering an almost perfect balance of action and comedy.

Name : Peter Travers / Alias : Rolling Stone
Don't let anyone spoil the wildly hilarious surprises. Ferrell and Wahlberg will double your fun. Guaranteed.

Name : A.O. Scott / Alias : New York Times
The Other Guys is most authentically itself when it indulges in a free-form but nonetheless highly disciplined silliness that has the effect of dissolving, rather than piquing, whatever worldly anger or frustration you may be harboring.

Name : Wesley Morris / Alias : Grantland
I love Sanaa Lathan, except when she has to play dumb. And, boy, does The Perfect Guy need her to be dumb.

Name : Liam Lacey / Alias : Globe and Mail
Deteriorates into something resembling Rush Hour 3.

Name : Amy Nicholson / Alias : Boxoffice Magazine
As good and fleeting as a street corner popsicle

Name : Nick Pinkerton / Alias : Village Voice
Somebody didn't pack enough comedy for this long trip - the punchlines in the movie's second half are often callbacks to jokes you may not fondly remember from the first, until every gag is united with its mate.

Name : Peter Howell / Alias : Toronto Star
Dead horse, meet floggers.

Name : Betsy Sharkey / Alias : Los Angeles Times
The plot doesn't always hold water and it has a tendency to ramble, but they don't seem to care. And honestly, neither should you.

Name : Joe Morgenstern / Alias : Wall Street Journal
A summer movie that honors summer-movie conventions with a vengeance.

Name : Nick Schager / Alias : Variety
David M. Rosenthal's Internet-age thriller falls head over heels for cheesy cliches.

Name : Michael Phillips / Alias : Chicago Tribune
As with the war-film goof Tropic Thunder, you wonder if a smaller, scruffier-looking version of the same movie would have yielded bigger comic payoffs.

Name : Elizabeth Weitzman / Alias : New York Daily News
There are as many hits as there are misses, thanks to the dedication of both leads.

Name : Tom Long / Alias : Detroit News
In terms of flat-out nonstop laughter, it's the best comedy of the summer.

Name : Peter Debruge / Alias : Variety
The laughs ultimately take a backseat to a convoluted white-collar crime story.

Name : Tom Huddleston / Alias : Time Out
There's a wealth of joyously berserk idiot humour, fusing slapstick and satire, surrealism and stream-of-consciousness improv into what could well prove the funniest movie of the year.

Name : Claudia Puig / Alias : USA Today
What would have been very funny for 15 minutes, and pretty funny for 45, doesn't maintain the standard over the course of a feature-length film.

Name : Owen Gleiberman / Alias : Entertainment Weekly
It's a comedy of manhood for the age of emasculation.

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